For more than half a century, James Hamilton has been an active participant and an inside observer of some of the most consequential moments in modern US history. He has been involved in investigations concerning Watergate, the Kennedy assassination, “Debategate,” the Keating Five, the Clinton impeachment, Vince Foster’s suicide, the Valerie Plame affair, Benghazi, and the Major League Baseball steroids scandal. He argued against Brett Kavanaugh in front of the Supreme Court and won. He has tales to tell of power brokers, players, and politicians who helped steer the course of the country.Written in clear, incisive prose with self-deprecating humor, Advocate discusses the travails of prominent politicians and other well-known individuals, focusing particularly on high-profile congressional and other investigations. Credited with developing the modern system for vetting Democratic vice-presidential candidates, Hamilton recounts his extensive vetting of vice-presidential, cabinet, and Supreme Court candidates-including Joe Biden, John Edwards, and Ruth Bader Ginsburg. This book concludes with practical, sage advice for young lawyers entering the profession. Much more than a memoir from a seasoned lawyer, Advocate is a richly detailed history of some of the most sensational and controversial events in Washington politics over the past fifty years. By sharing information and insights known only to him, Hamilton fills in the gaps of historical events while advising the public on lessons that can be learned from the past. Anyone interested in the uniquely American intermingling of law and politics will find this an engaging read.
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Constable : A Portrait
ONE OF THE TIMES AND SUNDAY TIMES’ BEST BOOKS FOR 2022’Eye-opening and full of surprises . . . A treasure’ Sunday Times’A biography as rich with colourful characters as any novel’ TelegraphJohn Constable, the revolutionary nineteenth-century painter of the landscapes and skies of southern England, is Britain’s best-loved but perhaps least understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of colour. What we learn from his landscapes is that Constable had sharp local knowledge of Suffolk, a clarity of expression of the skyscapes above Hampstead, an understanding of the human tides in London and Brighton, and a rare ability in his late paintings of Salisbury Cathedral to transform silent suppressed passion into paint. Yet Constable was also an active and energetic correspondent. His letters and diaries – there are over one thousand letters from and to him – reveal a man of passion, opinion and discord, while his character and personality is concealed behind the high shimmering colour of his paintings. They reveal too the lives and circumstances of his brothers and his sisters, his cousins and his aunts, who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton’s biography reveals a complex, troubled man, and explodes previous mythologies about this timeless artist, and establishes him in his proper context as a giant of European art.